Ryan Reynolds can't catch a break. Not only was he hit by a car this year, but he can't seem to find his rhythm on screen. In Self/less, he plays the younger form of a wealthy powerbroker who swaps his cancer-riddled body for a newer model and a second chance at life. What critics are saying:
- Self/less has an interesting premise, but "degrades it by turning it into a generic thriller, and finishes it off with a rushed, disjointed ending," writes James Berardinelli at ReelViews. He says the flick is overflowing with material, but is too rushed and seriously lacking in character development. It's "too badly made to entertain audiences in search of escapist entertainment and too insulting for viewers hoping for more," Berardinelli concludes.
- "Any hope Reynolds had of reviving his stardom with Self/less is as fruitless as thinking a person can swap bodies without consequence," writes Peter Howell at the Toronto Star. He calls the acting "bloodless, which is appropriate to the theme, I suppose." As for director Tarsem Singh, "he seems singularly uninspired—a chase scene on a highway looks like a bunch of Hollywood stuntmen demonstrating how they do chase scenes."